Car Title Loans in Marfa, Texas

Do you need cash now? One Way Car Title Loans serves the Marfa, Texas area. You can borrow up to $20,000 in 15 minutes.* You can use the equity in your car to get a car title loan in 15 minutes or less.*

Got bad credit or no credit? Don't worry! Got a repossession or past bankruptcy? Don't worry! NO PROBLEM at One Way Title Loans! Apply now for an instant quote on how much you can borrow.

One Way Title Loans can fund you immediately because we're the direct lender so there is no red tape. We have the lowest rates with no prepayment penalties. We will even go to your work or your home to hand deliver the check. We also take care of the DMV paperwork so you don't have to wait in line all day. Call us or apply online now for an instant 3 minute* approval on your auto title loan.

What is a Title Loan?
A car title loan is a fast way to borrow money using the equity in your paid off vehicle as collateral for a loan. Call us now for instant approval.

Do I need good credit to get a loan?
No, your credit history is not a factor. Your approval is based upon your vehicle's equity, vehicle's condition and your income.

How much can I borrow?
You can borrow anywhere from $2600 to $15000 depending on the wholesale value of your vehicle and your income. Please fill out the Application to see how much you qualify for.

How long does it take to get a car title loan?
Your money will be ready in 15 minutes or less.* Many car title loan companies advertise 15 minutes or less but in reality take much longer, even 24-48 hours. Some competitors request you to go to DMV to add them as lien holder.

Why choose a car title loan over a bank loan?
Most people choose car title loans because they do not qualify for traditional bank loans. Car title loans are also processed more quickly and have fewer requirements than bank loans.

Contact us today at 1-888-723-8813.

About Marfa

Marfa is a city in the high desert of far West Texas located between the Davis Mountains and Big Bend National Park. It is the county seat of Presidio County, and its population as of the 2010 United States Census was 1,981. The city was founded in the early 1880s as a railroad stop; the population increased during World War II, but the growth stalled and reversed somewhat during the late 20th century. Today, Marfa is a tourist destination. Attractions include Building 98, artisan shops, historical architecture, a classic Texas town square, modern art installments, art galleries, and the Marfa lights.

Marfa was founded in the early 1880s as a railroad water stop. The town was named "Marfa" at the suggestion of the wife of a railroad executive. Although some historians have hypothesized that the name came from a character in Fyodor Dostoevsky novel The Brothers Karamazov, etymologist Barry Popik found that Marfa was actually named after Marfa Strogoff, a character in the Jules Verne novel Michael Strogoff. The town grew quickly during the 1920s.

The Marfa Army Airfield served as a training facility for several thousand pilots during World War II, including the American actor Robert Sterling, before closing in 1945. The base was also used as the training ground for many of the United States Army's chemical mortar battalions.

The area around Marfa is known as a cultural center for contemporary artists and artisans. In 1971, minimalist artist Donald Judd moved to Marfa from New York City. After renting summer houses for a couple of years, he bought two large hangars and some smaller buildings and began to permanently install his art. While this started with his building in New York, the buildings in Marfa allowed him to install his works on a larger scale. In 1976, he bought the first of two ranches that would become his primary places of residence, continuing a long love affair with the desert landscape surrounding Marfa. Later, with assistance from the Dia Art Foundation in New York, Judd acquired decommissioned Fort D.A. Russell, and began transforming the fort's buildings into art spaces in 1979. Judd's vision was to house large collections of individual artists' work on permanent display, as a sort of anti-museum. Judd believed the prevailing model of a museum, where art is shown for short periods of time, does not allow the viewer an understanding of the artist or their work as they intended.